The article presents a comprehensive study and the first critical edition of a corpus of ancient isosyllabic hymns «κατὰ στίχον,» representing a unique stratum of liturgical poetry fundamentally distinct from classical forms of Byzantine hymnography. These texts are characterized by three constitutive features: strict isosyllabism, homotony, and stichic form. The author advances the hypothesis that these hymns, lost in Constantinople with the establishment of the Studite Typikon, have Egyptian origins. This thesis is verified by evidence from Greek papyri of the 5th–6th centuries, as well as data from the unique liturgical collection Sin. gr. NΕ ΜΓ 62 (studied by A.Yu. Nikiforova and G. Rossetto), which demonstrates the genre’s widespread use in the Coptic milieu, including the presence of original hymns for saints’ commemorations. The central element of the work is a critical edition of a cycle of six hymns for Great Compline, traditionally positioned after the hymn «The Bodiless Nature». The textological base includes the early Hagiopolite Horologia Erlangensis UB A 2, Taurensis B.VII.30, and the manuscript Sin. gr. NE M 46, engaged for collation for the first time. The historical dynamics of the texts’ existence is traced: their disappearance from central Byzantine codices by the 11th century and preservation on the liturgical periphery. Particular attention is devoted to the Slavonic tradition, which preserved these archaic elements in 13th–14th century Horologions. The text of the Yaroslavl Horologion was selected for comparative analysis with Greek originals. The conducted comparison confirms A.A. Andreev’s opinion that this manuscript contains the oldest Slavonic recension of the Compline service order. The research findings allow us to suggest the «κατὰ στίχον» genre as a common archaic element of Eastern Christian worship, a stage in the development of hymnography documented during the period of living performative practice by Egyptian monuments, and «at its twilight,» as rudimentary «ascetic reading,» by monuments from Palestine, Constantinople, Southern Italy, and finally Slavonic sources.
Keywords: Horologion, Great Compline, Hagiopolitan liturgy, Hagiopolite Horologion, early Byzantine hymnography, isosyllabia, homotony, liturgy, papyrus evidence, relic hymnography.
For citation
Khvostunkov F.K. The hymns «κατὰ στίχον» in the Great Compline of the early Hagiopolitan Books of Hours: historical and liturgical status Christianity in the Middle East, 2025, vol. 9, no. 4, pp. 56–70. https://doi.org/10.65324/cme012